Before we get going, I want to give one last notice to a show that's been open for quite some time: Manuel Mathieu's impressive two-in-one presentation at the Museum of Contemporary Art, North Miami. Combining an earlier show, "World Discovered Under Other Skies," and a brand new one, "Dwelling on the Invisible," the Haitian-born artist discusses the ingrained trauma of Haitian identity through stirring canvases and installations. Works pay tribute to Haitian art icons such as Jorel Filsaimé, as well as remarking on historical figures and events. One painting shows the wife of dictator "Papa Doc" Duvalier; another depicts the Kennedy assassination. Most striking is Study on Death, in which the artist places an embryonic figure in a field of brilliant yellow.
The shows take on even greater resonance against the backdrop of turmoil in present-day Haiti, which has descended into chaos and gang warfare after the 2021 assassination of President Jovenal Moïse. Photographs of unfinished construction projects and an installation made from rebar, ceramic sculptures, and silicone also speak to the state of uncertainty and instability the country seems unable to leave, and a video work depicts street protests in the capital of Port-au-Prince. Yet Mathieu's bold works, which blend materiality with a biomorphic style of abstract figuration reminiscent of Francis Bacon, also stand alone as thrilling works in their own right, worthy of consideration even without any geopolitical subtext. Both presentations close on Sunday, October 6.
Unless otherwise noted, all listed events are free to attend and open to the public.
Ulla Von Brandenberg and Rachel Feinstein at the Bass
The Bass is bursting out of the gates in the lead for this year's art season, opening two new shows in September. The most prestigious one would have to be the latest edition of the ongoing series "The Miami Years," this time focusing on South Florida-born Rachel Feinstein. The state's kitschy culture heavily influenced the sculptor's practice, and this presentation of her early work, opening on Wednesday, September 25, includes a new site-specific installation. Meanwhile, German-born artist Ulla von Brandenberg will show work designed to be paired with a monumental tile mural by Etel Adnan, which is currently on display at the museum; that show opened on September 4. These shows will anchor the rest of the Bass' season, centered on the theme of "performance" — a collection rehang focusing on the same idea opened on August 28. 2100 Collins Ave, Miami Beach; 305-673-7530; thebass.org. Tickets cost $8 to $15; admission is free for Miami Beach residents.Frankétienne and Frederic Tuten at Central Fine
Central Fine's September shows pair a historically important Haitian artist with a Bronx-born painter in his 80s, both of whom are still making new work. The former is Frankétienne, a writer, artist, and member of the Spiralist movement, whose recent canvases brim with darkness and tribulation. Tuten, meanwhile, creates colorful, blocky scenes in which the objects and individuals of the everyday burst with vibrancy. On view through Thursday, October 3, at Central Fine, 1224-1226 Normandy Dr., Miami Beach; 786-899-0977; centralfine.com.Brigette Hoffman at Dalé Zine
Dalé is showing work this month from Brigette Hoffman, an American artist of German and Nicaraguan heritage, in a show titled "Dual Embers Glow & Grit." Her childlike style of sculpture and painting emphasizes themes of domesticity, play, and family, with influences from pop culture. Opens Friday, September 6, at Dalé Zine, 50 NW 40th St., Miami; dalezineshop.com.![Portrait of Daniel Almeida and Adrian Rivera](https://media1.miaminewtimes.com/mia/imager/u/blog/21196496/resize_daniel_almeida_and_adrian_rivera__artists__portrait_2024_courtesy_the_artists.jpg?cb=1725620550)
Daniel Almeida and Adrian Rivera will stage "The Elephant Never Forgets" at Locust Projects.
Locust Projects photo
Two New Shows at Locust Projects
Artist duos are the focus of Locust Projects' two new shows, opening on Saturday, September 7. Daniel Almeida and Adrian Rivera, Venezuelan and Mexican-American, respectively, have built a TV studio as part of their installation, "The Elephant Never Forgets," based on the popular Mexican sitcom El Chavo del Ocho. The work contends with Latin America's mass media culture and the region's tendencies towards media piracy and technological subterfuge as a means of political agency. Meanwhile, in the art center's Project Room, local duo LizN'Bow is putting on a VR rollercoaster ride through a queer-futurist Miami in "Niñalandia Skycoaster." The work is inspired by video games such as RollerCoaster Tycoon and Mario Kart and incorporates the duo's custom-wrapped Buick Rendezvous. Opens Saturday, September 7, through Saturday, November 2, at Locust Projects, 297 NE 67th St., Miami; 305-576-8570; locustprojects.org.![Painting by Luis Cruz Azaceta](https://media1.miaminewtimes.com/mia/imager/u/blog/21196477/luiscruzazaceta.jpg?cb=1725620550)
Cuban artist Luis Cruz Azaceta will show at Pan American Art Projects in the Design District.
Pan American Art Projects photo