Blogs
Mon Oct 13, 2:59 PM
Mon Oct 13, 1:17 PM
Mon Oct 13, 9:49 AM
Sat Oct 11, 12:18 AM
Fri Oct 10, 2:47 PM
Fri Oct 10, 1:07 PM
Mon Oct 13, 3:35 PM
Mon Oct 13, 2:45 PM
Recent Articles
Recent Articles by Julienne Gage
Bajofondo dredges wide and deep.
Festival Miami brings sophisticated sounds to the city.
A local band makes it big and returns home to rock.
At the Forge, Pop Saves Lives.
Luz Marinas talent shines at the Arsht.
No related articles found
National Features >
Village Voice
Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.
By Wayne Barrett
SF Weekly
Exposing a construction-site scam only a San Francisco cop could love.
By Joe Eskenazi
Houston Press
Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.
By Randall Patterson
Westword
Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.
By Lisa Rab
The Renaissance, Miami Style
Published on May 29, 2008
It takes a nimble-fingered hand to master the complexities of the guitar, and it takes a local genius to handcraft a sound reflective of Miamis cultural rebirth. The University of Miami Gusman Concert Hall will reverberate with that kind of musical renaissance during Orchestra Miamis season finale at 8 p.m., when the talents of two well-respected musicians converge in one amazing new song.
Thrice-nominated Grammy composer and Miami native David Chesky has written a piece so layered in modern and classical complexity that only its intended artist, Angel Romero, could play it with such grace. During a show recapping the best of Orchestra Miamis tropi-classical fusion, the Spanish guitar maestro offers the North American premiere of Concerto for Guitar, a number that encompasses flamenco, jazz, and classical elements in a way that is both reminiscent of the guitars elder Iberian roots and its equally moody American reformation.
Sat., May 31, 2008